Maren Vance Printroom & Editions

Printmaker & visual artist · wasps Meadow Mill, Dundee

Acquire a print, ask about a commission, or join the release list ↓ 0131 496 0518

Hand-pulled linocut editions, coastal field drawings, and site-specific commissions from an independent Dundee print studio.

Maren Vance works from a north-lit press room at Meadow Mill in Dundee, cutting multi-block linocuts and printing small numbered editions on 300gsm Somerset cotton rag. This personal artist page is permanently free of third-party advertising and algorithmic feed-ranking, carries no follower counts, and keeps every edition record exportable and portable to the artist's own domain.

  • Current releaseAutumn 2026 — 'Tay Estuary Low Water' (edition of 40)
  • Open studio & eventsFirst Saturday of every month, 11:00–16:00 at Studio 314
  • CommissionsOpen for winter architectural & book-plate commissions
  • Publishing & ownershipAd-free, no algorithmic feed-ranking, no follower counts; full archive portable to marenvance.example.com

Available works, print releases & studio events

All prints are hand-burnished or pulled on an 1890 Albion iron hand-press using lightfast oil-based relief inks. Prices are unframed and include archival glassine wrapping and flat-board shipping across the UK.

  • Tay Estuary Low Water — Three-block linocut (Autumn release)£240

    Numbered edition of 40 on Somerset Satin 300gsm cotton rag, signed and dated in pencil

  • Harbour Wall, Arbroath — Reduction woodcut£185

    Four-colour reduction print cut from a single birch ply matrix; 9 impressions remaining from an edition of 25

  • North Sea Breakwater Study — Charcoal & ink monoprint£310

    Unique work on Japanese Kozo paper, drawn on the shoreline at Carnoustie and over-printed in raw umber

  • Bespoke architectural or book-plate commission£550

    Custom relief block cut to commission with two pencil composition proofs and an edition of up to 15 prints

  • First-Saturday Open Press & Relief Printing Demonstration£0

    Monthly studio event showing block registration, ink rolling, and work-in-progress proofs; free entry

Collectors receive a printed colophon sheet recording paper mill batch, ink pigments, and edition state.

Acquire a print, ask about a commission, or join the release list

Messages go straight to Maren's studio inbox—no intermediary marketplace fees or automated mailing-list trackers.

Include delivery town if asking about courier shipping, or outline your subject and timeline for a commission.

Used only to reply to your enquiry; never shared with third-party platforms.

Who you'll see

  • Maren VancePrintmaker & visual artist (Biography)

    Born in Montrose in 1986, Maren trained in fine art printmaking in Dundee before spending six years running community relief-press workshops along the east coast of Scotland. Her work studies tidal engineering, stone harbours, and working estuaries through multi-block linocut and woodblock printmaking.

House rules

Free of third-party advertising and feed-ranking
This catalogue is published as an owned studio record rather than a social feed. There is no third-party advertising, no algorithmic feed-ranking, and no follower counts or engagement tallies standing between the work and the viewer.
Portable archive & owned domain
Every edition entry, biography note, exhibition history, and high-resolution plate photograph is stored as clean structured data that remains fully exportable and portable to the artist's own domain at any time.
Owned contact paths & quarterly broadsheet
New print releases and exhibition dates are announced through a direct email dispatch sent four times a year and by post for collectors who prefer a printed card—never gated behind a third-party social login.
Edition states & archival materials
Once an edition is sold out, the key linoleum block is defaced with a single corner cut and a cancellation proof is pulled for the studio archive so edition numbers remain fixed.

How commissions & studio acquisitions work

  1. Direct enquiry or studio visit Write directly via the owned studio email or visit Meadow Mill during First-Saturday open studio hours to inspect unframed proofs in person.
  2. Pencil study & block proof (for commissions) For commissioned work, Maren prepares two tonal ink-and-graphite composition drawings and a test proof on rag paper before cutting the final edition block.
  3. Hand-printing & drying Approved blocks are printed in small batches on the Albion press and racked to air-dry for ten days so the oil-based ink cures evenly into the cotton fibres.
  4. Flat archival dispatch Finished prints are signed, interleaved with acid-free tissue, and shipped flat between twin-wall conservation boards or collected from the studio.

Find us

Studio 314, Meadow Mill, West Henderson's Wynd, Dundee DD1 5BY

Opening hours
Wednesday – Friday10:00 – 17:30 (by appointment)
First Saturday of month11:00 – 16:00 (open studio event)
Sunday – TuesdayClosed (press editioning days)

studio@marenvance.example.com

Asked at the counter

Why doesn't this page show social media feeds or follower counts?

Printmaking moves at the pace of drying oil ink, not daily timeline algorithms. This page is intentionally free of third-party advertising, algorithmic feed-ranking, and follower counts so you can view the work in full resolution and contact the studio directly.

Is the artist's catalogue portable if the studio changes web hosts?

Yes. All text, edition records, release notes, and photography remain exportable in open JSON and HTML formats and portable to the artist's own domain without platform lock-in.

Can I commission a custom print or book-plate edition?

Yes. Maren accepts three to four private or architectural commissions each season. Use the enquiry form below to outline the subject, dimensions, and target date.

Do you ship prints framed or unframed?

Works shipped by courier are sent unframed in flat archival conservation folders to avoid glass breakage in transit. Framed works in Scottish elm can be collected directly from the Dundee studio.